My artistic research is driven by the desire to define and sustain integrity in the face of constantly shifting identity.

I see the identity of the contemporary person as a fragile structure, composed of multiple lenses containing complex layers of social and cultural memory. It is a complex system of experiences, in a constant state of reassembly, mutable and never complete. This is most vividly manifested in the experience of immigration, which creates radical shifts in context; a person lives with multiple perspectives, with different optics refracting into one another, creating a fragmented and ever-changing backdrop for self-awareness.

The numerous perspectives of a single person are tightly bound by experience and memory. One fragment can point to a complex virtual chain — a sequence of beliefs, memories, and ideas. In a single fragment, we can see the integrity of the whole system, a reference to its transcendental totality. Mutability — and the very fragility that makes it possible — becomes the foundation of this system. I find it important to ask: can mutability itself be a form?

I work with the image of the human being as a small-scale ecosystem or civilization — with its own ruins and forgotten past. It is precisely the past that becomes the primary medium of self-awareness: through reinterpreting oneself in the past and projecting into the future. In my installations, light and reflections become crucial elements through which I speak about ephemerality and changeability. Reflections and overlays form a nonlinear perceptual experience, where no single perspective is final.
I understand subjectivity as a dynamic network where contradictory elements coexist and strive toward wholeness — not through forced unity but through the acceptance of multiplicity. The network becomes an image of relationships, influences, contexts, and connections, where there is no single center but many nodes; individuality is shaped through these nodes and links. My practice resonates with metamodernist thinking; within this framework, I propose an aesthetics of vulnerability as a form of collective experience, inviting new ways of seeing, sensing, and inhabiting uncertainty.

My work seeks to construct a model of subjectivity in which absolute ideals are replaced by multiple individual counter-worlds. I create spaces that encourage deeper understanding and rethinking of personal identity. Through the construction of layered, chaotic, and overlapping structures, I explore the complex and fluid nature of the human being — where fragmentary compositions offer the possibility of recognizing one’s own fragmentation and multilayeredness, and arriving at a reconciliation of opposites.